Borobudur temple, INDONESIA




Borobudur, or Barabudur, is a 9th-century Mahayana Buddhist Temple in Magelang, Central Java, Indonesia. The monument consists of six square platforms topped by three circular platforms and is decorated with 2,672 relief panels and 504 Buddha statues. A main dome, located at the center of the top platform, is surrounded by 72 Buddha statues each of which is seated inside a perforated stupa. It is the world’s largest Buddhist temple,as well as one of the greatest Buddhist monuments in the world.
Built in the 9th century during the reign of the Sailendra Dynasty, the temple was designed in Javanese Buddhist architecture, which blends the Indonesian indigenous cult of ancestor worship and the Buddhist concept of attaining Nirvana. The temple also demonstrates the influences of Gupta art that reflects India's influence on the region, yet there are enough indigenous scenes and elements incorporated to make Borobudur uniquely Indonesian. The monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The journey for pilgrims begins at the base of the monument and follows a path around the monument and ascends to the top through three levels symbolic of Buddhist cosmology: Kāmadhātu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). The monument guides pilgrims through an extensive system of stairways and corridors with 1,460 narrative relief panels on the walls and the balustrades. Borobudur has the largest and most complete ensemble of Buddhist reliefs in the world.
Evidence suggests Borobudur was constructed in the 9th century and abandoned following the 14th-century decline of Hindu kingdoms in Java and the Javanese conversion to Islam. Worldwide knowledge of its existence was sparked in 1814 by Sir Thomas Stamford Raffles, then the British ruler of Java, who was advised of its location by native Indonesians. Borobudur has since been preserved through several restorations. The largest restoration project was undertaken between 1975 and 1982 by the Indonesian government and UNESCO, following which the monument was listed as a UNESCO World Heritage Site.

In Indonesian, ancient temples are referred to as candi; thus locals refer to "Borobudur Temple" as Candi Borobudur. The term candi also loosely describes ancient structures, for example gates and baths. The origins of the name Borobudur, however, are unclear, although the original names of most ancient Indonesian temples are no longer known. The name Borobudur was first written in Sir Thomas Raffles's book on Javan history. Raffles wrote about a monument called Borobudur, but there are no older documents suggesting the same name. The only old Javanese manuscript that hints the monument called Budur as a holy Buddhist sanctuary is Nagarakretagama, written by Mpu Prapanca, a Buddhist scholar of Majapahit court, in 1365.



- MOKAGATHI GANESAN (A13A0491)
- L2T1

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Sultan Ahmed Mosque, Turkey













The Sultan Ahmed Mosque is a historic mosque that was built from 1609 to 1619 in Istanbul, Turkey. The mosque is popularly known as the Blue Mosque for the blue tiles on the walls of its interior. The mosque is still popularly used as a mosque.

It was built by the Ottoman sultan Ahmed I between facing Hagia Sophia. Its architect was Sedefkar Mehmet Aga, a poet and inlayer as well, and a student of the greatest architect Sinan. When Ahmed I died in 1617, he was buried near the mosque and a mausoleum was built over his tomb.

Like all the big and important mosques of that time, also the Sultan Ahmed Mosque was built as a complex including a theological school, an imperial lodge, a kitchen for the poor, bazaar shops to raise money for the maintenance works, and a small library. The mosque has an outer courtyard accessible by several gates, an elevated inner courtyard (named as "late comers courtyard") paved in marble and surrounded by a portico with small domes. In the center of this courtyard there is a fine fountain for ablutions which is dry today. This is the only mosque in Istanbul having 6 minarets; four of these have three balconies on each, and two have two balconies on each, that makes a total of 16 in all, reached by spiral stairs (closed to the public). Muslims are called to prayer from these balconies five times a day by the Muezzin. Top of the minarets and top of the domes are covered with lead.

There are 3 entrances to the mosque, and after entering inside one gets shocked by the floral and geometrical interior decoration and beauty of over 21 thousand Iznik (Nicea) tiles, about 260 windows with stained glass, and calligraphy art of Koranic verses. The 34-meter high central dome is surrounded by smaller domes and semi-domes to distribute the heavy weight of the main dome, and all of them are supported by 4 huge pillars (called "elephant legs"). The marble niche which shows the direction of Mecca, called Mihrab, is aligned with the axis of the mosque. On the right of Mihrab there is a marble Minbar, the pulpit where the Imam goes up and gives his sermon. On the other side of the mosque, to left corner, there is the sultan's lodge where he used to pray in private away from the crowd.

The mosque is covered with rugs as a general tradition in any mosque, thus people have to take their shoes off before entering. It's permitted to take photos inside and use flash without any problems. The mosque is generally open to the visitors during the day, but closed for a short time during the prayers. If possible, a small donation is accepted at the exit of the mosque, which is used for repair and maintenance works. During the summer nights, light and sound shows are organized in the park next to the mosque.












Interior view, featuring the prayer area and the main dome.











Minarets at the mosque.







































Even US President Barack Obama removes his shoes as he prepares to visit the Blue Mosque on April 7, 2009.



Prepared by Wong Sze Yann, A13A1361. L2T1. Group 5.

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Haji Ali Dargah in Mumbai

The Haji Ali Dargah is not a very popular destination amongst foreign tourists but for Indians it certainly is one. Those visiting Mumbai in the state of Maharashtra make it a point to the Dargah (tomb). The tomb is of Sayyed Peer Haji Ali Shah Bukhari, a rich Muslim businessman who gave away all his wealth away to the poor before leaving for Mecca. About 30 to 40 thousand pilgrims visit the tomb on Thursdays and Fridays alone, so you can see how popular this place is. You might consider taking a trip to the Haji Ali Dargah if you are in Mumbai. It is situated on an islet off the coast of Worli in the South of Mumbai. Even Hindus visit this shine in large numbers.




The Haji Ali Dargah is a mosque and dargah (tomb) located on an islet off the coast of Worli in the Southern part of Mumbai. Near the heart of the city proper, the dargah is one of the most recognisable landmarks of Mumbai. An exquisite example of Indo-Islamic Architecture, associated with legends about doomed lovers, the dargah contains the tomb of Sayed Peer Haji Ali Shah Bukhari.
Background

The Haji Ali Dargah was constructed in 1431 in memory of a wealthy Muslim merchant, Sayyed Peer Haji Ali Shah Bukhari, who gave up all his worldly possessions before making a pilgrimage to Mecca. Hailing from Bukhara, in the ancient Persian Empire (present day Uzbekistan), Bukhari travelled around the world in the early to mid 15th century, and then settled in present day Mumbai.
According to legends surrounding his life, once the Saint saw a poor woman crying on the road, holding an empty vessel. He asked her what the problem was, she sobbed that her husband would thrash her as she stumbled and accidentally spilled the oil she was carrying. He asked her to take him to the spot where she spilt the oil. There, he jabbed a finger into the soil and the oil gushed out. The overjoyed woman filled up the vessel and went home.
Later, Pir Haji Ali Shah Bukhari had a recurring and disturbing dream that he had injured Earth by his act. Full of remorse, he soon fell ill and directed his followers to cast the coffin carrying his body into the Arabian Sea. Haji Ali died during his journey to Mecca and miraculously the casket carrying his body, floated back to these shores, getting stuck in the string of rocky islets just off the shore of Worli. Thus, the Dargah was constructed there.
On Thursdays and Fridays, the shrine is visited by at least 40,000 pilgrims. Irrespective of faith and religion, people visit the dargah to get the blessings of the legendary saint. Sometimes, especially on Fridays, various Sufi musicians perform a form of devotional music called Qawwali at the dargah.





The Structure


The Dargah is built on a tiny islet located 500 meters from the coast, in the middle of Worli Bay, in the vicinity of Worli. The edifice is a brilliant specimen of the Indo-Islamic style of architecture. The islet is linked to the city precinct of Mahalakshmi by a narrow causeway, which is nearly a kilometre (0.62 mile) long.
The accessibility to the dargah is very much dependent on the tides. As, the causeway is not bound by railings, when the causeway gets submerged during high tide it becomes inaccessible citation needed. Therefore, the dargah is accessible only during low tide. This walk on the causeway, with the sea on both sides, is one of the highlights of a trip to the shrine.
The whitewashed structure occupies an area of a marble courtyard contains the central shrine. The tomb within the mosque is covered by a brocaded red and green chaddar (tomb cover sheet). It is supported by an exquisite silver frame, supported by marble pillars. The main hall has marble pillars embellished with artistic mirror work: blue, green, yellow chips of glass arranged in kaleidoscopic patterns interspersed with Arabic patterns which spell the ninety-nine names of Allah. As per the Muslim traditions separate praying rooms for ladies and gents are provided here to pay their respects. During the high tide, the dargah seems completely isolated with no access. It looks more like a little island.





Repair and Renovation


The six hundred year old Dargah structure has corroded, due to constant erosion, saline winds and constant flow of 80,000 people per week. The structural upgradation of the Dargah started in October 2008. The Dargah will be beautified with first and second quality white marble, which will be brought from Makrana, Rajasthan, the same place from where marble for the Taj Mahal was brought.
The repair and structural upgradation work is envisaged to take 24 months divided into two Phases. Phase One will involve reconstruction of Mosque and Minarets, Phase Two will involve renovation of the Sanitarium Building. When the reconstruction work is complete, the holy shrine will give the feel of a Taj right in Mumbai’s brackish sea water.




BY
Fathin Nouri Bt Samsudin
A13A1438 ( L2T2, GROUP 5)


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Kocatepe Mosque, Turkey

Do you ever hear about it??

Do you ever wanna to see it by your own?? Tadaa…


This is the largest mosque in Ankara at Turkey. It can be seen from almost anywhere in central Ankara. Can’t u imagine how big this mosque and its take for two hours to get out of the area afterwards.
The idea of building the Kocatepe Mosque dates back to the 1940s. On December 8, 1944, Ahmet Hamdi Akseki, the Vice-President of Turkish Religious Affairs, along with seventy-two founding members, established a society known as the "Society to Build a Mosque in Yenişehir, Ankara." In 1947 this society called for projects to be drawn up by architects, but none of the submitted projects were accepted.
In 1956, through the efforts of the late Adnan Menderes, Prime Minister of the time, land was allocated for the project to build a mosque in Ankara, and a request for projects was made once again in 1957. This time thirty-six projects were evaluated, with the joint project of Vedat Dalokay and Nejat Tekelioğlu being chosen as the one to be implemented.
The accepted project was an innovative and modern design. The construction started, but due to heavy critique from conservatives for its modernist look, the construction was stopped at the foundation level. Vedat Dalokay later built a modified version of the Kocatepe Mosque after winning an international competition for the Shah Faisal Masjid in Islamabad,Pakistan in 1969. This mosque, which can accommodate 24,000 people, is one of the largest mosques of the world, and accepted by many as the frontiers of modern Islamic architecture.

After a third architectural competition in 1967, a more conservative or nostalgic design by Hüsrev Tayla and M. Fatin Uluengin was chosen to be built. Completed in 1987, this project is built in a neo-classical Ottoman architecture style, and is an eclectic building inspired by the Selimiye mosquein Edirne, and the Sehzade and Sultan Ahmet mosques in Istanbul.


Yes, there is an underground garage, there is also a huge shopping mall under the mosque.  This is not an odd juxtaposition, most mosques either have a shopping area under them or right next door.  After all, the faithful are commanded to go to pray five times a day...that is a lot of chances for drive-by shopping! 


Looking up to the top of the dome.  All of the indoor pictures were taken with the camera on the "night" setting, which (while it did turn out better than the blacks and grays that the standard setting produced) was not much for resolution. Its pretty..

        
...to set you up for a closer shot of the main chandelier.  The chandeliers have, between them, one ton of gold that was donated by local merchants as a sign of faith. 


Ton of golden in this chandelier..


 

 Interior design of Kocatepe Mosque..

For the traveler, don't miss your opportunity to visit this beautiful mosque...the architecture of this building is so unbelievable..grab your chance and have fun!!

bY:

AMEYLIA BINTI MOHD RADZI
A13A0052
L2T2/GROUP 5


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Bali Museum, Indonesia


 Bali Museum is strategically located in Major Wisnu Street   in Denpasar Bali and it is find it due to the location is in the heart town. In the north side there are glorious temple of Jagatnatha, meanwhile in front of it the Puputan Badung (Badung Courtyard) and four face statue (Catur Muka Statue) are located. The development of Bali Museum is begun by the existence of initiative how to vitally the heritage of Balinese culture and taking care of, preserve and maintaining. The initiative is based on the existence of feeling to worry, that there is symptom a kind of culture erosion, so that the cultural heritage become totally disappeared, lose, what omit only photograph and documentations.


Bali Museum History
Bali Museum save the Balinese culture heritage, emerge the founding plan a museum which afterward becomes the Bali Museum:

  • The early planning of Bali Museum founding was Governmental functionary of Dutch, Bali King, Society Prominent, all artists like: WFJ Kroon (assistant of Dutch Resident), Curt Grundler (a Germany Architect), I Gusti Alit Ngurah (Bestuurder Penegara Badung), I Gusti Bagus Jelantik (King of Karangasem), I Gusti Ketut Djelantik (King of Buleleng), King of Tabanan, and all artists like I Gusti Ketut Kandel, I Gusti Ketut Rai. The Planning is happened in year 1910 with the elementary concept Bali Museum building structure that was solidarity of the structure between temple building (Sanctum) and Palace (Keraton).
  • After agreed on the concept of the museum building structure, hence founded a mains building which deflect finished in year 1925. Because of the ancient object collection which had been collected is not yet adequate and then during 7 years (1925-1932), the mains building stood functioned for the exhibition purpose. All meritorious experts in checking object taken as collection of Bali Museum for example: DR.W.F. Stutterheim, G.I. Graider, G.M. Hendrikss, DR.R. Goris, and artist of Walter Spies
  • Bali Museum in the beginning is handled by an institution that is called Bali Museum Institution and opened officially on 8 December 1932 with the name of Bali Museum
  • The management hereinafter by institution of Bali Museum has been reverted to Government of Indonesia since 5 January 1966.


Bali Museum as a Place of Interest in Denpasar Bali

  
The object collections which are kept in Bali Museum can be classified become the prehistoric object collection like: the Grave Petrify (sarkopag), the object collection coming from history era like: stupika clay containing superstitious formula Ye Te, the bronze statues (Hindu and Budha statues) and ethnography object collection like Keris, Endek Cloth, and religious ceremony equipments (Sangku, Cecepan and Sidakarya mask). In its growth, now Bali Museum have been opened generically and become the tourist destination in Denpasar Town and it is a prefect place to visit in Bali in particular on Denpasar City Tour or join Denpasar Tour Package.

-SHAMLA BALAKRISHNAN, A13A1103
-L2T1/ Group 5

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THE GARUDA WISNU KENCANA STATUE, INDONESIA

A masterpiece came from the hand of Balinese Artist Nyoman Nuarta, shaped as a large statue which built at Mandala Garuda Wisnu Kencana Cultural Park, bukit Ungasan Jimbaran Bali, still on going processed and plan to be finished in the year of 2005, designed to be the landmark for tourism of Bali and Indonesia.


THE LEGEND OF GARUDA WISNU 


The establishment of the statue is God Wisnu the Protector God of Hinduism riding on mythical bird Garuda, inspired from Adi Parwa's tale on the episode of Garuda with his loyal and sacrifice to save his mother from the shackles of slavery life, by devoted his life to serve the God Wisnu by being his means of transportation. 


[ Statue of Garuda Wisnu Kencana at Candi Belahan, East Java, was built during the time of Majapahit on Airlangga's reign who ruled over Java and Bali in the 11 century, inspired the development of Garuda Wisnu Statues which could found in many places in Bali. ] 

The tale tells about a whirlpool in a sea of milk created by gods and giants by using Mount Mandara. The whirlpool caused a horse called Oncesrawa to appear, and then the Tirtha Amertha (the water of life). Anybody who drinks the Tirtha Amertha, he will never die because he will never experience being old. He will look young at all times. The gods and giants then fought to get the water, but finally the gods prevailed and took the water to keep in heaven.

Based on the tale, the Garuda eagle, the son of Goddess Winata, fought hard to get the Tirtha Amertha to free his mother from 1,000 dragons, the sons of Goddess Kadru, which had made his mother a slave. The Garuda eagle, accompanied by his parents' prayers, fought his best to beat the gods in the heaven to get the Tirtha Amertha. After a long fight, finally they made an agreement that the gods would hand over the Tirtha Amertha on one condition, i.e. that the Garuda eagle would serve God Wisnu. Garuda was very pleased with the offer because he knew that he would be able to free his mother.

Garuda eagle then took the Tirtha Amertha to the 1,000 dragons, which wanted to have eternal lives. His mother safe and free. Then Garuda told the dragons," You are all only allowed to drink the Tirtha Amertha after having a bath." The dragons soon went to bathe in the nearby river and left the water unattended. None of them realized that the water should never be left unattended. Finally, God Indra came and took the Tirtha Amertha and returned it to the heaven.

The Garuda Wisnu Kencana statue is hoped to stimulate the dynamic of physical and spiritual values, and the balance between skala and niskala (the real and unreal worlds) so that harmony on the earth can be created. The Garuda Wisnu Kencana Statue is the symbol of the mission of environmental safeguard and the world savior.





























THE DIMENSION OF GARUDA WISNU KENCANA STATUE 

Outwardly the size of the Garuda Wisnu Kencana statue is 146 meters high and above sea level is 283 meters. Wing's wide is 66 meter with 4000 tons total weight. The statue is made from mix copper and brass welding, several parts coat with mosaic of gold. This 146 meters high has two components there are the principal constituent the statue and the pedestal with its function as the central of World Cultural Forum For the time being, the 15% of the statue figure as Wisnu with 22 meter high exhibited at Garuda Wisnu Kencana Cultural Park, meanwhile the construction of the whole statue still on going process.

-PUVANESVARAN MATHIVALLAN (A13A1044)
-L1T2/ Group 5

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TAJ MAHAL, INDIA

TAJ MAHAL,INDIA



One knows that ‘The Taj’ is one amongst the World’s Wonders!

One knows that it is one amongst the UNESCO World Heritage Sites!! 

One knows The Taj as a legend of eternal love of an Emperor for his favourite Queen!!!


Well, ‘The Taj’ has distinctions much beyond just these!
Therefore, ‘The Taj’, surely, deserves your visit once and more!!!
  

Come, walk along the pathway beside the reflecting pool with fountains up to the mausoleum crafted in soft & pure marble and jewelled with semi precious stones, where in the serenity of paradise rests the Queen in peace with her King. Come to unfold the pages from the past to churn the charm out of its mystique and enrich your imagination about this marvel of an epic in stone, The Taj!
The grace of perfection of proportions and grandeur of geometrical patterns of well appointed gardens enhancing the poise of the whole complex together add magnificence to the delicacy of this man the of love, dedication and purity, ‘The Taj’!

Come take a dip into the saga of ‘The Taj’, culled out from no fiction but facts and unfurl a saga, which is set out of nothing but pure love!

Beauty lies in the eyes of the beholder! Probably for Taj Mahal, the axiom is just the other way round.The Taj is the beauty personified! The Taj displays its different moods through its varied shades. The Taj has as many shades as any kind of beauty can ever have! The Taj is pinkish in the morning, milky white in the evening, golden when the moon shines and the intermediary variants during different hours of the day and during different seasons in a year.

Picturesque descriptions by the historians contemporary to the period of its making, the facts revealed by the scholars & archaeologists of today and the panoramic montage of the reasons behind its making are sketched with every step you would walk towards the mausoleum the next time you visit The Taj!

A look this time at the Taj will keep you indulged with thoughts superimposing your sight and would make you feel the presence of Shah Jahan, the Maker and Mumtaz Mahal, the Reason, as though walking along with you.

Whence its breathtaking splendour makes you wonder breathlessly and you tend to pause for a while but to continue staring at ‘The Taj’, you would sense them standing beside you!

If one has a heart that beats and that beat throbs to seek, the purity of love in galore! Surely one deserves a visit to ‘The Taj’, as much as ‘The Taj’ deserves your visit once, and more!
Come to ‘The Taj’ with blissful pride! Bring the saga come alive!! Come; fall in love, everytime!!!
   
Visiting Hours - Taj Mahal Sunrise to Sunset (Friday Closed) also Other Monuments-from sunrise to sunset

Entry Fee For Taj Mahal

S.No.Tourist TypeAmount (Rs.) (Inclusive of ASI & ADA fees )
1.Foreign tourist
750/-
2.Citizens of SAARC and BIMSTEC Countries
510/-
3.Domestic/IndianRs. 20/-
Note-
  1. For all the World Heritage Sites tickets are available on Ticket Counters of World Heritage Sites in India.
  2. A composite ticket of Taj Mahal (Inclusive of ASI & ADA fees) is available at all World Heritage Sites in india.
  3. No Entry fee for children below the age of 15 years. (both Domestic and Foreigner)


Taj Mahal in the Morning



 That said, the Taj is at its most alluring in the relative quiet of early morning, shrouded in mists and bathed with a soft red glow. As its vast marble surfaces fall into shadow or reflect the sun, its colour changes, from soft grey and yellow to pearly cream and dazzling white; it's well worth visiting at different times. This play of light is an important decorative device, symbolically implying the presence of Allah, who is never represented in anthropomorphic form.
The moods of the Taj vary from dawn to dusk.The Taj Mahal or the Crown of Palaces looks milky white in the soft light that characterizes early morning, while the afternoon sun makes it glisten bright and dazzling in the overhead sunlight, almost looking like a jewel against the opaque blue of the skyline and then comes a moonlit Taj breaking into the night sky, majestic and simply beautiful in a sense that cannot be put into words. It is at this time that it shines like a pearl.
A visitor to the monument may very well stand agape at this spectacle, the romanticism and sheer majesty of the structure unbelievably true. Its sensuous appeal was never more heightened as on a full moon night. The dome is what is highlighted, while the other aspects of the structure, though separated, each facet with its individuality intact, is nevertheless united in look, the balance is so perfect. The rows of cypress trees offset by the green carpet of grass complete the picture of idyllic proportions, resplendent in royal dignity.

The Taj Mahal, for which even the course of the river Yamuna is said to have been diverted, can best be described in the words of the Noble Laurette Gurudev Rabindranath Tagore,

"A teardrop in the face of eternity."




AZIZAH BINTI SHARIF
A13A1419
L2T2/GROUP 5










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